Davide Caniatti

Vintage cameras, legacy lenses, Foveon & more

Anselm Kiefer & Tintoretto in a dying Venice

Questi scritti, quando verranno bruciati, daranno finalmente un po' di luce is the show of the year, because it understands Venice

Anselm Kiefer was born in Germany at the end of the Second World War. Growing up among the ruins he developed his entire poetics from them, combining painting and sculpture in a decidedly unique way. Venice, at the same time, is the city of ruins par excellence: all it has to offer is its great past. It is therefore singular that for the 1600 years of the city Palazzo Ducale chose the German artist to talk about Venice.

Contax 645: the wedding test

Shooting a wedding with a Contax 645 as second camera body in 2022

In early June, I was hired for the first wedding of my life. It is not the first time that I have been paid - a little - to be a photographer, but it was the very first time someone entrusted me the most important day of their life. I was very anxious and nervous at the same time. The set-up was ready: my trusty Fuji GFX 50R with 32-64mm and the adapted 80mm Planar T *.

Damien Hirst: Natural History

An exhibition that summarizes Hirst's most famous works, capable of unsettling the spectator even after almost 30 years.

When I speak of Damien Hirst to someone who does not know him, the first approximation I can formulate is “that one with the shark in formalin”. Reducing the career of one of the greatest living British artists to that is probably ungenerous, but the approximation often works. The shark immobilized inside the chemical bath has become an iconic image of contemporary art. I have always found the image in question to be extremely powerful.

Kodak GOLD 200 120, did we need it?

While every new film is good news, the question arises: is it a good idea?

News of a new film should be good news in itself. I use the conditional as today’s announcement by <a href=“https://emulsive.org/articles/news/25-cheaper-than-both-portra-and-ektar-the-return-of-kodak-gold-200-film-in-120-format?fbclid=IwAR2AtyNGOhTvejmL0DvaPYHy_QzKsEYqcYQ7CK36_YDGY6VvsSnCofyssN4"http://google.com")" target="_blank” rel=“noopener noreferrer”>Kodak to market the Gold 200 in 120 formatleaves me at most tepid. We have come from difficult years for analog photography, with many beloved films being discontinued. Let’s think, for example, of the Fuji 400H which, with its disappearance, has thrown into a panic wedding practitioners all over the world.

Can a Contax TVS Digital be your only point & shoot?

One year later, I stopped buying 35mm point and shoot and stick with this Contax.

<a href=“https://davidecaniatti.com/post/contax-tvs-digital-shooting-with-a-2002-digital-camera/"http://google.com")" target="_blank” rel=“noopener noreferrer”>The first time I wrote about Contax TVS Digitalwas over a year ago. The discovery of this little digital camera was surprising to me. Not only does the technology of 20 years ago seem absurdly old, but above all useless. When I picked it up, I did it with an almost archaeological spirit, as if to reconstruct the functioning of a now-forgotten object. In fact, over time I realized that it is something much more: it works, and takes beautiful photos!